In Eastvale, England Sandra and Alan Banks were more and more going their own way. Before Alan, a Detective Chief Inspector, can sort his feelings, he finds himself investigating the murder of Jason Fox, whose corpse was found near a local pub. Alan and his associate Detective Constable Susan Fox soon learn that Jason had a racial confrontation with three Pakistanis. They also discover that Jason worked for the Albion League, who allegedly sells illegal drugs to blacks.

AlanÆs personal life intercedes when a frustrated Sandra asks for a separation on the grounds that they have nothing in common anymore. Alan also has problems with his superiors, who seem to want him off the case because their superiors have their own sting operation that Alan might muddle. Increasingly becoming depressed and melancholic, Alan, with the help of his loyal sidekick, relentlessly presses on to ferret out the truth behind the killing of Jason Fox.

The Alan Banks mysteries are getting better and better as Peter Robinson has matured to the point of being one of the top writers of English police procedurals. The root of what makes BLOOD AT THE ROOT so good is the increasingly humanizing of Banks, whose character is a depository of personal problems that he struggles to keep out of his investigations. The policeÆs official inquiry and the wealth of well written secondary characters who stomp into AlanÆs personal space, add a genuine feel to the novel, turning it into one of the top five releases in the genre for 1997.